Open peer commentary on the article “The Banathy Conversation Methodology” by Gordon Dyer, Jed Jones, Gordon Rowland & Silvia Zweifel. Upshot: This commentary will address the implicit and explicit connections between Banathy’s Conversation Methodology, which is the heart of the process used at the IFSR Conversations held every two years in Austria, and constructivist theories in application.

We show that local realism applied to states characterized by a single quantum equally and coherently shared between a number of qubits (so-called W states) produces predictions incompatible with quantum theory. The origin of this incompatibility is shown to originate from the destructive interference of amplitude probabilities associated with nonlocal states, a phenomenon that has no classical analog.

Starting from the definition of `amorphous set' in set theory without the axiom of choice, we propose a notion of rank (which will only make sense for, at most, the class of Dedekind finite sets), which is intended to be an analogue in this situation of Morley rank in model theory.

The work is aimed at interpreting text and paintings in D. Rubina and B. Karafelov’s book ‘Okna‘. The authors of the article conduct an analysis of episodes with pictorial ecphrasis in the stories from the book and an iconographic analysis of paintings inside the stories. The chosen topic is actual, because it provides an alternative way to solve a problem of word and image relations in the text. The article is aimed at the search for new methods to reflect a (...) protagonist’s character. In this context, the authors of the article compare images in D. Rubina’s texts with B. Karafelov’s paintings, analyze the symbiotical connection of pictorial ecphrasis and reproductions of paintings. The most of the stories are autobiographical what makes them representative in terms of transferring the narrator’s position through the pictorial ecphrasis. In that book, paintings are not just illustrations and not visualization of ecphrasis. Pictures were introduced into the text of novels for presenting main motives and enriching stories by new images and meanings, which could not be represented by text. Colors of paintings are accentuated by color-designation words and are converged to tonality of text. Thereby a reader can interact with a writer and a painter simultaneously. After analyzing of text and pictures, the authors of the article made a conclusion about efficiency of word and picture synthesis for disclosure of the same themes in multiple artistic planes. (shrink)

Fustel de Coulanges noted a paradoxical feature in historical research: when we have practically unlimited quantities of facts and evidence, the difficulties in a rational reconstruction of the past become insurmountable. For normal historical research a line must be drawn between the contemporary period and the past. As long as there is no such a line, judgments of taste dictate the topics and the optics of research. Hence, it is more difficult than it might appear at first glance to write (...) a history of social thought in the Soviet period. Nonetheless, such a work is necessary. (shrink)

Name der Zeitschrift: Nietzsche-Studien Jahrgang: 42 Heft: 1 Seiten: 298-298.

Popper proposes a technical concept of 'verisimilitude' as a test of the progressiveness of scientific theories. The paper attempts to show its uselessness and inapplicability on mathematical and practical grounds, As well as raising doubts about the value of any such attempt to give a mechanical test of scientific progress.

I present the current experimental and theoretical work on interference in complementary spaces. These ideas are applicable to both light and matter waves. I give a detailed treatment for classical light beams in frequency and time domains. I also present a description which gives the totality of interferences.

In the sixties I attempted to comprehend the Zen paradox: 1,400 years of handing down a tradition through absurd statements. I had to construct a theory of the absurd. It led me to the conclusion that not only connections among words could be absurd ; connections among objects themselves could also be absurd. God hung on the cross seemed an absurdity. The Apostle Paul acutely felt this absurdity, and later Tertullian felt it even more acutely. A thousand years later, for (...) Aquinas, the sense of absurdity had subsided, and the diminution of God to the "perspective of the slave" became a postulate of scholastic reason. In all transitional periods, when the "world is out of joint," a palpably absurd situation arises, and grotesque, absurd literature is created. François Villon became popular in Russia in the twentieth century, not very long before Kafka; the poem written for the contest in Blois engraved itself in my memory. The poem is rational in its own way, i.e., it describes well the realities of life itself. (shrink)

This book traces the intellectual revolution initiated by Thales in the sixth century BC to its culmination in the metaphysics of Parmenides.